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Killer Beats - Death by Music



Most “radio friendly” rock bands of the 70s seemed to be fronted by some toothy pretty-boy who wanted only to chirp about his keen girl or his keen car or the keen time he and his buddies had on Saturday night. I just wanted a change from the “safety” of these musical offerings. I wanted excitement, adventure, and I wanted it now! Enter The Knack’s first album, “Get the Knack.” The Knack with their Beatlesque appearance (which actually worked against them) belted out “My Sharona”, a catchy power poppy gooey hit covering a dark, smirky, contemptuous hardness. Then hold the phone. The Knack came out with their hit “Good Girls Don’t” Who didn’t like explicit lyrics that moved past innuendo to the very threat of action -- and one that was loaded with parental fear? Many of my guy friends giggled in delight when GGD hit the airwaves while their female counterparts flushed with embarrassment (if they actually understood the lyrics).


It was this parental outcry that removed “Get the Knack” from the shelves of any “respectable” record store who self censored all LPs with questionable content. This little tidbit made me want it even more. I located a copy of the album at Dr. Feelgood’s (a local headshop). The only problem was that I was seventeen and all patrons of this fine establishment had to be 18 years of age. Soon after its release, my dad and I happened to “be in the neighborhood” so I appealed to his strong held belief against censorship and presented a valid enough case that he actually bought it for me. In retrospect, I chuckle because it never crossed my mind to get one of my older friends to buy it for me or to procure a fake ID to get one for myself. There is nothing like the feeling of giving the “finger” to the proverbial “Man” and the conservative right then going home and listening gleefully to your first “R rated” LP. BTW when I played it for my dad he just raised his eyebrows and sighed. I did, however, know better than to play it for my friends (until college). I am sure my parents would have put the kibosh on my listening pleasure if I had shared my musical taste with my peers!


The first concert I ever went to without parents was to see the Knack. My parents even let me drive “parent free” to Dallas’ McFarland auditorium with friends in tow. The band was great and really understood their audience (screaming teenaged girls and their clued in boyfriends who were hoping to get some after the concert).

I bought a shirt at that concert that simply said “The Knack”. The next day I wore it proudly. The jocks noticed. The nerds noticed. The potheads noticed. The ropers noticed. I talked to guys who had never given me a second thought. It was truly an inside joke between me and the males of my high school. For one day I was a rock star. It was the best day of my high school career….a real Ferris Bueller moment. Thirty years later, I still rock that Knack concert T-shirt. Take that however you want (wink).

PS. After the concert, there was some guy dressed in an ape costume chasing who chased us our car. That Damned dirty ape scared the shit out of us.


And it's a teenage sadness
Everyone has got to taste.
An in-between age madness
That you know you can't erase
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Back in March (yep folks almost a year ago), many of my friends put together the List of 10 or 15 of the most influential albums of their lives. I was jealous with envy when my friends could spew them out. Well it was really tough for me to drill down to 20 but I made myself a promise that I would do this.

So here goes...a year late and a dollar short (as my dad would say)

Cheech and Chong was my foray into counter culture (not that I didn’t have an aunt and uncle who lived in a hippie commune with a big bong in middle of the living room). I didn’t connect the dots until I was 13 when spending the night with my friend Bek. We would sneak into her older brother’s Jimi Hendrix bedecked basement bedroom. We would sprawl across the bed with the overhead light off and the black lights on and listen and laugh hysterically as we “got it”. We even believed that we shared an inside joke with the school miscreants and the “smoking lounge” folks.

This one still makes me laugh out loud. I love how burnouts Cheech Marin and Tommy Chong used America's post-hippie dissatisfaction as a jumping-off point. Coming from a family of law abiding citizens, I would howl at how the pair both mocked and reveled in pot culture, by creating a style of stoner humor that required little effort to appreciate, but was nonetheless quite hilarious.

The album art is one of a kind. The packaging of the first release included a die cut cover showing a car door and another die cut cardboard inner cover showing the usually sealed parts of a car door (which contained baggies of pot); the cardboard edge of the opening of the cover was cut decoratively around the windshield in the upper right corner. The credits and track listing were hand written in graffiti. In addition there is a car door (four pairs of feet suggestively situated in the drivers side window) enclosed on a single sheet in the album.

When I am having a bad day, I will pull the album out of my collection and listen to my favorite tracks.

Yes, I am the victim of a Basketball Jones....I was kicked off the basketball team for wearing high heeled sneakers
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Adele

July 9th 2009 03:10


Recently my girlfriends and I went to see Adele (Adele Laurie Blue Adkins) in concert on a whim during a “girl’s night out.” I have to admit that I was a doubter. My snobbish self had not deigned to lower myself to actually listen to this artist on “principle” I honestly believed that her work was relegated to the sea of tweens hankering for soft serve musical fare. I was convinced that next year, her hits would end up as ambient music in Starbucks.

My arrogant self was pleasantly surprised. Her band took the stage first, and then she magically appeared without fanfare holding a cup of Earl Grey tea after informing the audience that she had been fighting a cold. Adele, a former BRIT school student, giddy with excitement expressed comments of embarrassment at the sold out show at Dallas’ Granada Theater while waving at the adoring crowds as if she were spotting old friends at the pub.

The twentysomething British singer-songwriter-guitarist was an old soul filled with an overarching sweetness that permeated her entire show. Her big voice was coy and playful and clear as a bell and the real star of the show. She exhibited a range and depth well past her age as she sang tunes that were sophisticated, soulful. poppy, jazz filled and bluesy.

Her intimate performance made the whole venue an up close and personal experience, rendering the audience members best friends for life! She shared tales both personal and passionate through an array thoughtful songs and led the audience through a well crafted evening of music. She told humorous stories and explained the backdrop of her well written and intelligent songs. She even persuaded fans to raise their arms in the air so she could take pictures for her MySpace page. It was as if your little sister was singing for her entire family at the annual reunion.

Adele hypnotized us with a languid, daydreamy, luxurious soul vibe. Her music was soothing…a veritable a cocktail hour martini. She sprinkled the set with covers of her idol Etta James “Melt My Heart to Stone” and “Fool that I am” and Ranconteurs “Many Shades of Black.” Like other performers her age, she didn’t need to dilute her voice with choreography. Adele performed with sincerity and assurance and at the end of her performance she thanked the attentive, cheering enthusiastic audience of 500 for grooving to her music as well as buying tickets and CD. She said that she was “living the dream” and that she literally played to “2 people in a pub’.

At the concert’s end she told everyone to come by her tour bus “for cake.” I noticed there were throngs of adoring fans sticking around the stage hoping some techie would have pity on them and turn over a pick or the ever coveted set list. As I exited the venue, I longingly looked at the merch table but noticed it was picked clean, so I was left to return home and bask in the glory of the night.

image: Guardian UK
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Love Love Love

May 10th 2009 03:13
Considering the whole slightly-out-of-synch-with-re ality vibe of Cirque du Soleil performance troupe, it is no surprise that it is staged in the Mirage Hotel and Casino in Las Vegas Nevada. For folks unaware of Cirque, this troupe blends acrobatics, interpretive dance, outlandish costumes, and theatrical orchestration with a European flair.

Shunning their tradition of building their performances around music written specifically for the show, Cirque du Soleil based music from the Beatles' catalogue, for their newest show, Love. Twenty-six tracks mixed together under George Martin's supervision combining various elements from more than one hundred thirty Beatles songs, blended seamlessly into recordings from the band's different eras. The results are at once immediately familiar and surprisingly new due to some very innovative edits and layering of songs


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Happy Halloween Ghouls and Boys

October 30th 2008 03:30
MIsfits: Halloween


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Cult bands by definition have uniquely strong and loyal fan bases and are not necessarily well known. They seem to be just below the mainstream radar that people either love or hate with a passion. Many of these band's catalogues have songs that are serious, silly, or experimental with a fan network of people trading live tapes of shows; and a palpably deep love for their band's music and performances. Many of these bands enjoy a steady turn out for record sales that may have never broke out into the mainstream.


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Rock and Roll Jesus

October 8th 2008 03:36


Friends I fully recognize that controversy arises in music when its content touches on issues of religion. Heavy metal has historically been targeted as anti-religious, while the Satanic, image of arists such as Marilyn Manson, and bands whose political viewpoint are diametrically opposed to the religious right, or artists who sing lyrics that are considered indecent. Objecting parties attempt to curtail the spread of these allegedly dangerous ideas or images to vulnerable listeners by posting websites like these Devil Music. Really? Seriously? Can't we all just get along


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A Song of Social and Political Importance

September 25th 2008 01:45
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The Eagles: Take it to the Limit

September 14th 2008 14:42
Recently I attended the Eagles Concert in San Antonio at the AT &T Center. I knew I was in for a wild ride when Glenn Frey welcomed us to the “Assisted Living Tour.” Well they put up their walkers and walking canes for one glorious night. I was impressed by the band’s talent. It was refreshing to see the Eagles members Don Henley, Glenn Frey, Timothy Schmidt, and Joe Walsh on stage looking dapper dressed in black suits with white shirts and thin ties. Their polished look echoed their performance. They played their instruments ably and, most amazingly, their voices are in fine condition (save poor Timothy B. Schmit, whose upper register is an easy target for aging). . I was glad to see that hard feelings and band in-fighting was a thing of the past. It was refreshing to see that after all these years that they genuinely didn’t seem tired of having played the same 20 hits over and over and over. I was also glad to see that hard feelings and band in-fighting was a thing of the past. There was no opening band and they played for nearly 3 hours.


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When I think of heaven: Counting Crows

September 8th 2008 03:08
Last night Wandering cousins and I attended the Counting Crows concert at the Super Pages. com Center. The night was perfect for the outdoor venue with many summer night ingredients, along with clear skies and comfortable temperatures.


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