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Killer Beats - Death by Music

Killer Beats - January 2010



Most “radio friendly” rock bands of the 70s seemed to be fronted by some toothy pretty-boy who wanted only to chirp about his keen girl or his keen car or the keen time he and his buddies had on Saturday night. I just wanted a change from the “safety” of these musical offerings. I wanted excitement, adventure, and I wanted it now! Enter The Knack’s first album, “Get the Knack.” The Knack with their Beatlesque appearance (which actually worked against them) belted out “My Sharona”, a catchy power poppy gooey hit covering a dark, smirky, contemptuous hardness. Then hold the phone. The Knack came out with their hit “Good Girls Don’t” Who didn’t like explicit lyrics that moved past innuendo to the very threat of action -- and one that was loaded with parental fear? Many of my guy friends giggled in delight when GGD hit the airwaves while their female counterparts flushed with embarrassment (if they actually understood the lyrics).


It was this parental outcry that removed “Get the Knack” from the shelves of any “respectable” record store who self censored all LPs with questionable content. This little tidbit made me want it even more. I located a copy of the album at Dr. Feelgood’s (a local headshop). The only problem was that I was seventeen and all patrons of this fine establishment had to be 18 years of age. Soon after its release, my dad and I happened to “be in the neighborhood” so I appealed to his strong held belief against censorship and presented a valid enough case that he actually bought it for me. In retrospect, I chuckle because it never crossed my mind to get one of my older friends to buy it for me or to procure a fake ID to get one for myself. There is nothing like the feeling of giving the “finger” to the proverbial “Man” and the conservative right then going home and listening gleefully to your first “R rated” LP. BTW when I played it for my dad he just raised his eyebrows and sighed. I did, however, know better than to play it for my friends (until college). I am sure my parents would have put the kibosh on my listening pleasure if I had shared my musical taste with my peers!


The first concert I ever went to without parents was to see the Knack. My parents even let me drive “parent free” to Dallas’ McFarland auditorium with friends in tow. The band was great and really understood their audience (screaming teenaged girls and their clued in boyfriends who were hoping to get some after the concert).

I bought a shirt at that concert that simply said “The Knack”. The next day I wore it proudly. The jocks noticed. The nerds noticed. The potheads noticed. The ropers noticed. I talked to guys who had never given me a second thought. It was truly an inside joke between me and the males of my high school. For one day I was a rock star. It was the best day of my high school career….a real Ferris Bueller moment. Thirty years later, I still rock that Knack concert T-shirt. Take that however you want (wink).

PS. After the concert, there was some guy dressed in an ape costume chasing who chased us our car. That Damned dirty ape scared the shit out of us.


And it's a teenage sadness
Everyone has got to taste.
An in-between age madness
That you know you can't erase
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Back in March (yep folks almost a year ago), many of my friends put together the List of 10 or 15 of the most influential albums of their lives. I was jealous with envy when my friends could spew them out. Well it was really tough for me to drill down to 20 but I made myself a promise that I would do this.

So here goes...a year late and a dollar short (as my dad would say)

Cheech and Chong was my foray into counter culture (not that I didn’t have an aunt and uncle who lived in a hippie commune with a big bong in middle of the living room). I didn’t connect the dots until I was 13 when spending the night with my friend Bek. We would sneak into her older brother’s Jimi Hendrix bedecked basement bedroom. We would sprawl across the bed with the overhead light off and the black lights on and listen and laugh hysterically as we “got it”. We even believed that we shared an inside joke with the school miscreants and the “smoking lounge” folks.

This one still makes me laugh out loud. I love how burnouts Cheech Marin and Tommy Chong used America's post-hippie dissatisfaction as a jumping-off point. Coming from a family of law abiding citizens, I would howl at how the pair both mocked and reveled in pot culture, by creating a style of stoner humor that required little effort to appreciate, but was nonetheless quite hilarious.

The album art is one of a kind. The packaging of the first release included a die cut cover showing a car door and another die cut cardboard inner cover showing the usually sealed parts of a car door (which contained baggies of pot); the cardboard edge of the opening of the cover was cut decoratively around the windshield in the upper right corner. The credits and track listing were hand written in graffiti. In addition there is a car door (four pairs of feet suggestively situated in the drivers side window) enclosed on a single sheet in the album.

When I am having a bad day, I will pull the album out of my collection and listen to my favorite tracks.

Yes, I am the victim of a Basketball Jones....I was kicked off the basketball team for wearing high heeled sneakers
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